Free Book Chat and SEEDs for Autism Fundraiser

I’ll be discussing the relevance of neurodiverse characters in historical fiction at SEEDs for Autism in Phoenix on Saturday, August 12, 2023, at 11:00 a.m.

The Historical Novel Society – Arizona Chapter (HNS-AZ) is partnering with SEEDs to host the free public event for anyone who appreciates historical fiction. Both readers and writers will find something of interest in the presentation, including details about my writing and research process and examples of books that feature neurodiverse characters, including my novel Peculiar Savage Beauty. Set in 1930s Kansas, Peculiar Savage Beauty’s main characters include Woody, an autistic savant born in an era long before any medical diagnosis would explain his peculiar ways and unique talents. Publishers Weekly called it a “gripping, atmospheric novel [that] meshes a seminal event in American history with a suspenseful plot and insightfully etched characters.”

SEEDs provides a path from “learning to earning” for teens and adults with autism through education, vocational training, and social development. The organization hosts events throughout the year to foster community and raise autism awareness.

Event admission is free, though attendance is limited, and reservations are appreciated. Complimentary light refreshments will be provided by HNS-AZ.

The gift shop will be open, and my novel will be available for purchase and signing; 100 percent of book sale proceeds will benefit SEEDs.

Hope to see you there!


Peculiar Savage Beauty – Bonus Scenes

Writers compose many sentences, scenes and chapters that their readers never see. It may be lovely prose. Yet, for one reason or another, it simply doesn’t fit in the final work. Each writer handles this differently. Some click delete, and never look back. Others hold on to those snippets in the hope that someday, somehow, they might find them a home. I fall in the latter category.

The following unedited scenes are from an early draft of my second novel, Peculiar Savage Beauty. They offer a glimpse into the lives of the characters during Christmas in the Great Depression and Dust Bowl era, of people finding small joys during even the most challenging of times.

The novel went through many rounds of edits. At some point, these pieces were cut. In the big picture and flow of action, they just didn’t quite move the story forward in the way all scenes must. I held on to them, because they still speak to me.

Now that the novel has been published, I’m giving these scenes a new home – for my readers who fell in love RJ, Woody, Ethel and the whole quirky town of Vanham, and for myself, who did the same.

Happy reading, and happy holidays!


Snowy forestDecember 24, 1935

Vanham, Kansas

Late Autumn brought a few more rain showers. Just enough to tease a little bit of life from the earth and a little bit of hope from the people of Vanham. Tiny green shoots of red winter wheat and buffle grass began to peek up in some of the pale fields and sand dunes. As the temperature continued to drop and the winter holidays approached, some folks even entertained the fantastical idea of a white Christmas.

At the Tugwell home, bowls of bright red cranberries and plump white popcorn sat on the kitchen table. Minnie narrowed her eyes and stuck out her tongue to thread a needle. Alternating berries and popcorn, she poked the needle carefully through each, creating a festive garland. There would be no Christmas tree this year. No gifts. But there was no reason why she couldn’t brighten up the place with a bit of holiday color.

Ernie shuffled out of the bedroom, rubbing his lower back with the palms of his hands.

“Have a good nap, Pa?” Minnie asked without looking up from her work.

“Yap.”

He rolled his shoulders, working out the stiffness in his joints that always came with the cold weather. Then he walked over to the table and inspected Minnie’s project.

“Making garland, huh?”

She said yes, waited for the rebuke she knew was coming next.

“Ain’t that a bit much, times being what they are?”

“It’s Christmas.”

Ernie grunted, scratched at the stubble on his neck.

“Besides,” she added, “I can feed it to the chickens after. It’ll be a nice treat for ‘em. Won’t go to waste.”

Ernie watched as his wife of forty-odd years picked up another cranberry, gently pushed the needle through its shiny skin and slid the berry down the thread. He gave her shoulder a quick pat.

“We can hang it above the door,” he said.

Minnie smiled. “Yap.”

He watched her work a moment more. Then shuffled to the front door, took his coat and goggles off the hook.

“Gonna go check on the north field,” he said.

“Get the chickens in the coop on your way back,” she said without looking up.

“Yap.”

======

The dust drifted in from the south, an auburn fog, thick and unhurried. Red earth from Oklahoma seemed a fitting shade for Christmas Eve, and the storm had not deterred Ethel as she dressed for a late supper and Midnight Mass with friends. She’d used twice the usual pins to secure her hat and extra towels to wrap up her dessert dish. She would not let the wind and dust get the better of her. Not tonight.

“Ethel, dear, come in. Come in,” Marjorie embraced her friend and pulled her into the house. “I’m so glad the storm didn’t keep you away.”

“I’d have crawled here on my hands and knees if I had to,” Ethel said, hugging her friend a heartbeat longer than usual. She and Marjorie had been friends for more than thirty years.

“And tear your hose?” Marjorie said, punctuating her question with a snort.

Ethel handed over her dish – bread pudding with walnuts and cranberries, a Christmas Eve tradition. She removed her coat and hung it on a hook by the door.

Marjorie’s two granddaughters bolted into the room and threw their arms around Ethel’s legs.

“Mrs. Ethel’s here! Merry Christmas! Did you bring us treats?”

Ethel planted kisses on their heads, inhaled the bouquet of their freshly washed and curled hair. Her mind tumbled back to the days when the girls’ parents had greeted her the same way, some twenty years ago. She reached into her coat pocket and retrieved two peppermint sticks wrapped in wax paper. The girls shrieked and clapped. They hugged Ethel again and ran into the other room with their candy.

“Don’t spoil your supper now,” Marjorie’s husband, Walter, shouted after them. He gave Ethel a wink. She already knew he wasn’t at all worried about his granddaughters’ appetites.

The grandsons were less interested in Ethel, though she had brought candies for them as well. They were more interested in the presents under the tree, in shaking the boxes and wagering on the contents. Ethel watched them, as she did every Christmas, taking in their youthful glee and feeling a bit younger herself as a result. Walter stood beside her.

“Been a tough year for the kids,” he said. “For us, too, but Marjorie and me just couldn’t let Christmas morning come without anything under the tree for them.”

Marjorie had been knitting like a fiend the past few months to make cozy hats for each of her six grandchildren. She’d been saving all her extra pennies for Christmas dinner, so she’d unraveled one of her Afghans for the yarn. And Walter had been carving and painting toy cars and tiny zoo animals from wood scraps that would otherwise have gone in the potbelly stove to warm their aching bones.

“They’ll be over the moon tomorrow, Walt.”

Walter picked at some invisible lint on his shirt sleeve. “Shoot. They’re good kids. I’m just glad they’ll get to open a little something.”

Ethel snapped her fingers and turned to rummage inside the deep pockets of her coat.

“I almost forgot about this,” she said and pulled out a bottle of red wine. “Who says we grown-ups can’t open up a little something of our own.”

Walt’s eyes got big. Where on God’s green earth did you swipe that, they seemed to ask.

“I had Mrs. Wallace at the Five & Dime order a bottle from those Gallo brothers in California. She insisted I only pay wholesale, too, since it’s Christmas.”

“She’s got a big heart,” Walt said, admiring the bottle.

Ethel agreed and assured him she’d made the woman an extra large dish of bread pudding as thanks. He said Ethel’s bread pudding is worth a whole case of wine. Then he extended his elbow and escorted his old friend into the kitchen to fetch a corkscrew.

======

RJ woke to the familiar sound of Woody’s scratching at the windows. Stormy lay on the bed beside her, curled in a tight ball, pressed into the curve at the back of RJ’s knees. As a child, RJ had begged her Uncle Lou to let their English shepherd sleep in her bedroom, and he had looked at her as though she’d sprouted a second head. Uncle Lou wouldn’t even let the animal in the house, much less on the furniture. RJ smiled and snuggled beneath her quilt, not quite ready to break the Christmas morning magic and face the morning chill.

When she heard Woody get to work on the kitchen window, RJ threw back the quilt and put her feet on the dusty floor. Stormy jumped off the bed and trotted into the other room. RJ followed behind, throwing open the curtains one by one to reveal Woody’s dust paintings.

A table bearing a holiday feast, laden with stuffing, potatoes, gravy, pies, ham and turkey. A tree decorated with candy canes and gingerbread men, surrounded by boxes with big bows. A snowy forest scene with a lone noble buck looking to the horizon.

The sun was still low on the horizon and cast an orange glow through the window paintings, reminiscent of the warm blaze of a wood fire in the hearth.

RJ slipped on her boots and coat and stepped outside. The frigid air nearly knocked her over.

“Good heavens! Woody, aren’t you freezing out here?”

“Yes,” he said. “Merry Christmas.”

RJ laughed. His straightforward responses never failed to delight her.

“Merry Christmas to you, too,” she said.

She watched him work for a moment, shifting her weight from foot to foot to get her blood moving and get some warmth to her body.

Woody finished his final painting, a baby in the manger complete with Joseph and Mary, the three wise men, a cadre of animals, and a single star shining brightly above. He took a step back. “Do you like them?”

“I love them,” RJ said. “I only wish I could figure out a way to preserve them somehow. It always makes me sad when the next wind comes and sweeps them away.”

“That’s OK,” Woody said. “Then I can just paint more.”

RJ smiled. She invited him in to warm his bones, but he said no.

“Ma’ll skin me alive if I’m late for Christmas breakfast,” he said. “She’s making pancakes with brown sugar apples!”

Woody rubbed his stomach and rolled his eyes toward heaven.

RJ laughed again.

“Sounds like you better run then,” she said. “Wish Alice and your folks a Merry Christmas for me.”

“I will,” Woody said. He patted her shoulder two times, real quick. “Merry Christmas, RJ.”

“Merry Christmas, Woody.” She smiled at him warmly, holding herself back from giving him the bear hug she knew would delight her and torture him.

Then Woody turned and bolted across the yard toward the fields for home and his ma’s Christmas pancakes.

###


Peculiar Savage Beauty is 2018 Arizona Book of the Year

2018 Arizona Literary ContestJessica McCann’s second historical novel, Peculiar Savage Beauty, was named 2018 Arizona Book of the Year in the Arizona Authors Association annual literary contest. The novel also placed first in the published fiction category.

Peculiar Savage Beauty is the story of a headstrong and fiercely independent young woman who charges into the heart of the wind- and drought-ravaged Great Plains in the 1930s, intent on battling the dust and healing the land. As a geologist working for the U.S. government, Rosa Jean “RJ” Evans must find her place in a small farming town that welcomes neither a woman in authority nor changes to their way of life. She befriends Woody, an autistic savant born in an era long before any medical diagnosis would explain his peculiar ways and unique talents. The locals label the young man an idiot and RJ an armchair farmer. Yet, in each other, they see so much more.

Inspired by historical events during the Great Depression and Dust Bowl environmental disaster, Peculiar Savage Beauty is a parable about man’s quest to dominate the land and nature’s refusal to be conquered, about unlikely alliances and unexpected love.

Publishers Weekly calls McCann’s novel “gripping” and “atmospheric” with a “suspenseful plot and insightfully etched characters.”